The Brad Mehldau solo is also worth studying as he is also a master at re-interpreting the harmony. The song, Not You Again, is off the album John Scofield recorded with Billy Higgins, Kenny Garrett, Christian McBride, and Brad Mehldau. This aspect of his playing is not that common in Jazz Guitar, but the dynamic and tonal range of John Scofield could easily be the topic of long books. What I don’t talk about in this lesson, even if it is as interesting as the notes he plays, is how John Scofield works with tone and shapes the sound of what he plays. The solo is also a great example of how half of playing a good solo on a jazz standard is about interpreting and re-harmonizing the standard chords while playing. In many ways, it is a pretty fantastic way to use a technique that makes it easier to play the lines in a way that makes the phrasing more interesting. John Scofield has a great very practical way to use legato in his playing. Analyzing John Scofield licks really demonstrates how he uses pentatonic scales, melodic minor and mixes this with bebop influences. This is a song based on the changes of There Will Never Be Another You. In this John Scofield Lesson, I am going to break down some phrases from his solo on Not You Again. Besides having a signature tone and always coming up with new projects and collaborations he also has a very personal melodic language. After he left Davis, he released Electric Outlet (1984) and Still Warm (1985).John Scofield is in many ways a fantastic jazz artist.
He contributed tunes and guitar to three of Davis’s albums, Star People, Decoy, and You’re Under Arrest. In 1982, he joined Miles Davis, with whom he remained for three and a half years.
In 1979 he formed a trio with his mentor Steve Swallow and Adam Nussbaum which, with drummer Bill Stewart replacing Nussbaum, became the signature group of Scofield’s career.
He recorded with pianist Hal Galper on Rough House in 1978 and then on Galper’s album Ivory Forest (1980), where he played a solo rendition of “Monk’s Mood” by Thelonious Monk. In 1976 Scofield signed with Enja, which released his first album, John Scofield, in 1977. He recorded with Charles Mingus in 1976 and replaced Pat Metheny in Gary Burton’s quartet. He joined the Billy Cobham/George Duke Band soon after and spent two years playing, recording and touring with them. Educated at the Berklee College of Music, Scofield left school to record with Chet Baker and Gerry Mulligan. Scofield’s family left Ohio and moved to Wilton, Connecticut, where he discovered his interest in music.
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